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March 19th, 2007

checked out frank miller’s “300″ yesterday and i have to say it was pretty amazing. direction, editing, and the manner in which certain scenes were executed was simply brilliant. acting was a bit cheesy, but then this was one of those “mean to inspire” type of flicks, and to a certain degree, it did just that.

the story, about the legendary battle of thermapolaye between a few courageous spartans and the endless armies of persia, did offend in one way. i may be stretching this story too far into politics, but i did not much appreciate the idea of a pristine, idealistic “white” army against a hedonistic, obsessive “brown” one - again, perhaps my mind is too preoccupied with real world events and politics, but there was just too much of a par300-1.jpgallel with current world affairs for me to not draw the comparison. of course, in it’s rawest form, someone here had to be the good guy and someone had to be the bad guy - and that i understand.

this is definitely one of those you have to catch in the multiplex - dvd/television will not do justice to most of the larger-than-life scenes here. be warned: this is not a flick for your kids! i was surprised to see little children accompanying their stupid parents to see this movie - something social services in other countries could take your baby away for. although this film does have it’s share of gratuitous violence, it is picturised very tastefully a la frank miller, sin city, et al. some scenes here will remind you of the timeless classic, the gladiator, but those comparisons, given the epoch, storyline, costumes, etc. are natural.

curious to hear what others thought of this, so crumb away!

5 Crumbs for this post
Anand says:

Is it just me or what? The guy in the picture looks like Aftab Shivdasani :D

Roj Niyogi says:

Maybe in that pic - but definitely not in the movie. This one is worth whatever price you pay to get into the hall.

Nihilistwaffles says:

Ahem!
You said it @ “gratuitous violence”!
The movie is technically sound, of course , though the plot is so entirely Bush and Co from a pre historic times with a 300 white men trying to save “civilization” from a million brown ones. Thats the core problem with all things uber-hollywood.

p.s. I dont believe I just used the word “uber”!

gauravjain says:

Anyone familiar with Frank Millers work will find it easy to understand the mix of fantasy, history peppered with brutal violence which are his trademarks. to the point that there are scenes picked directly from the comic panels much like Sin City.

So i don’t really see a great racist undertone. I do see a marked difference but then that is what you would expect when its Asia’s Horde vs The Spartans. As for characterizations it doesn’t do much to flatter the seemingly Caucasian Akkadians as well as the non-warriors.

Anyway i thought the film was a cracker but lacked the one punch to take it up to great. A good effort and the first all blue screen film i enjoyed in a while. The Persians reminded me of mess in the mind of the bad guy in Tarsem’s The Cell.

Bikerdude says:

I saw the movie yesterday. I really had no idea what to expect but was more than pleasantly surprised.

Im not too sure that the director took sides in the movie. The Spartans at that time genuinely believed that the only way to live was to fight unto death. Nothing else was important to them except defending their land at any cost.

In fact i thought that the superb direction deliberately showcased the irony of it all.
The strength, bravery and valour of the Spartans was cleverly contrasted with their stubbornness and moronic shortsightedness, when presented with a feasible proposition by a clearly stronger army.

I also did notice that Xerxes, the ‘enemy’ king, was not exactly portrayed as a villain. He had his own agenda of world domination, but was shown to be magnanimous and benevolent. Its just that the Spartans just wouldnt listen.

All in all, fairly well balanced and very thought provoking. I was delighted that there were so many layers to a movie that could have otherwise been unidimentional and white-focussed.

The whole movie was like a renaissance painting, each scene beautifully crafted with beautiful people. The suprising twist of the emperor Xerxes of Persia being a slightly campy black man, was quite ingenious.

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